Archive for the ‘Advertising’ Category

Minivan Dreams Powered by Toyota

I want a minivan and I don’t want to be judged! When I was in my early twenties, I drove a minivan and it was the car-of-choice among me and my friends. We didn’t care what we were driving in, as long as we were together and the music was loud. I could fit 10 people in that minivan; it was a punk rock clown car.

I now fit the profile of a minivan driver—I’m in my thirties and I’ve reproduced—and therefore I’ve been told by friends and family that I absolutely cannot drive a minivan.

It’s not fair!

I want a minivan and I don’t want to be judged! When I was in my early twenties, I drove a minivan and it was the car-of-choice among me and my friends. We didn’t care what we were driving in, as long as we were together and the music was loud. I could fit 10 people in that minivan; it was a punk rock clown car.

I now fit the profile of a minivan driver—I’m in my thirties and I’ve reproduced—and therefore I’ve been told by friends and family that I absolutely cannot drive a minivan.

It’s not fair!

I have musician friends who drive minivans. So, it’s okay to open that deliciously-easy sliding door if you’re taking a bass guitar out of it, but it’s lame if my son is the precious cargo?

Enter Toyota’s new “Meet the Parents” ads for the Sienna Minivan.

      

These ads are pure genius, playing on an oft-forgotten truism of cool: There’s nothing less cool than trying to be cool.

Will the ads convince naysayers to enter through the sliding door? I live with one data point who might be coming around. As for me, I consider myself an early adopter. (How cool is that?)

4 Responses to “Minivan Dreams Powered by Toyota”

  1. Noah Shaw (aka, Data Point Numero Uno) says:

    This data point — the one who lives with the author of this post — is sooooooo not coming around. Sorry honey.

  2. Kate DeVagno says:

    The only thing cooler than a 2010 Toyota Sienna? The 1998 Toyota Sienna I’ve been driving for two years, prior to the birth of my daughter. The best part? After parents gave it to me, they missed it so much they ended up buying a new Sienna. How many retired boomers buy a minivan after their kids are out of the house? Now that’s love!

  3. K-Monayyyy says:

    I purchased a swagger wagon. Now if I could only find the friends to populate the seats I’d be able to cruise around town in sweet victory!

  4. Jill (aka A Sienna Driver) says:

    As a relatively new mini-van driver, I have 3 words for you that won my husband over – Automatic. Sliding. Doors. I can’t express how valuable it is to be doing the daycare pickup in the rain or snow and be able to open the doors from across the parking lot and have my son climb in and get into his car seat by himself. It’s little conveniences like this that meant the minivan was the only car we test-drove.

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Tiny Dancer

Secure your sequins and squeeze into those spandex, ice skating is in season. Through 14 days of Olympic Coverage there’s been naught but a single night where audiences weren’t subjected to ice skating in some form—the Opening Ceremony. Apparently by “coverage” of the Olympic Games, NBC meant a spotlight on skating in all its forms.

Despite a limited love for the sport, admittedly accredited to an inability to see past the pageantry nor distinguish between a salchow and axel jump , through this past weekend I had set a personal record in viewership—that is until Ice Dancing dominated Monday’s lineup and I was finally forced to put the games on ice.

Secure your sequins and squeeze into those spandex, ice skating is in season. Through 14 days of Olympic Coverage there’s been naught but a single night where audiences weren’t subjected to ice skating in some form—the Opening Ceremony. Apparently by “coverage” of the Olympic Games, NBC meant a spotlight on skating in all its forms.

Despite a limited love for the sport, admittedly accredited to an inability to see past the pageantry nor distinguish between a salchow and axel jump , through this past weekend I had set a personal record in viewership—that is until Ice Dancing dominated Monday’s lineup and I was finally forced to put the games on ice. 

My personal preference aside, the chorus of complaints from viewers has continued (and climbed) through the weeks. The USA-plus  plan for coverage, using downtime in skating to show snippets of other events (often on delay from earlier in the day) leaves something to be desired—like seeing other countries compete in any of the events. Those on the West Coast  are riddled with ridiculous three-hour lag times, despite having clocks tuned to the same time-zone as Vancouver and real-time access to results. Ignoring mass-interest in another episode on ice, US versus Canada in hockey, NBC excommunicated the event to cable’s MSNBC, a news network; 8.22 million fans followed (again, a near record in ratings), but we’re left to guess what the game would have drawn if offered en masse on basic cable.

Not long ago much was made of NBC’s creative use of ratings to endorse Leno’s return to the late night lineup, a policy they’re playfully pulling back out of their PR pocket . While its true viewership has vaulted past Turin—my attention isn’t for entertainment, it’s for endurance.

NBC is surviving on the success of America’s record run of medals and increased interest in more extreme events, while falsely assigning credit to their own “premier programming.” If the path to seeing Shaun White grab gold leads through tassels and toe loop jumps, then so be it—but my attention and affinity for the network is on thin ice.

Here’s to uncovering a universally understood maxim heavy hitters, the pleasure of a few work-free days!

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And the Best (Big) Picture Award Goes to…Pepsi

I live for awards season. I love the Golden Globes, honestly believe the SAG Awards really do mean more, and [deep sigh] swoon over the Oscars. It is in the spirit of film awards, that I offer you some 2010 Super Brand Awards:

I live for awards season. I love the Golden Globes, honestly believe the SAG Awards really do mean more, and [deep sigh] swoon over the Oscars. It is in the spirit of film awards, that I offer you some 2010 Super Brand Awards:

Best Actor: Domino’s Pizza
I know that the idea to address consumer complaints in ads has been polarizing, but I’ve loved every minute. You’re advertising that you’ve changed; you’re listening to your consumers; you’re advertising that you’re listening. You’re so Meta—the Daniel Day-Lewis of pizza.

Best Supporting Actress: Diapers.com
You’re the new exemplar of online shopping. The selection! The free shipping! You’re the picture of flexibility, versatility, and consistency. You remind me of a young Amazon.com.

Best Director: The International Red Cross
Your “text ‘Haiti’ to 90999” campaign provided individuals an easy and affordable way to help victims of the earthquake. You harnessed the power of social media and of mobile devices to create change. Your work will be copied, but I doubt it could ever be out done.  Mmmmm… the “Avatar” of philanthropy. 

Best (Big) Picture: Pepsi
Kudos, Pepsi! When other, less innovative, brands are spending an exorbitant amount to advertise during the Super Bowl, you’ve made a bold move and decided to end your 23-year run as a big game advertiser. Instead you are using $20 million marketing dollars to listen to and better the lives of your customers. You’re the advertising equivalent of De Niro in ‘Raging Bull.’ Bravo!

One Response to “And the Best (Big) Picture Award Goes to…Pepsi”

  1. Despite distancing myself from the Oscars after the shameful decision to increase the number of nominated films for Best Picture from 5 to 10 (really, double?), I’d like to cast a vote for:

    Best Original Screenplay: Will It Blend by Blendtec – captured my heart with their crushing campaign of introducing a new ingredient (iPods, baseballs, video cameras and more) to their blender blog daily. http://www.blendtec.com/willitblend/

    Best Adapted Screenplay: Intel – the good folks of Intel have effectively given a personality to their inanimate product with their latest campaign. The ‘Our Rockstars Aren’t Like Your Rockstars’ series proved equally poignant in several mediums from TV to print, no simple task. http://www.youtube.com/watch?v=jqLPHrCQr2I

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Owned Platforms: Up-cycling sponsored media in the digital world

The idea of “Owned Platforms,” otherwise known as private label media captivates me. Procter & Gamble recently announced that The Guiding Light, its oldest sponsored TV soap opera was finally going off air after 72 years on radio, then television. The company then announced that it was launching its own private digital media platform. Initially, Pampers will be sponsoring a series of webisodes called A parent is born about young couples expecting a child. Other projects include digital casting for a variety of product categories in partnership with the likes of NBC Digital Networks.

The idea of “Owned Platforms,” otherwise known as private label media captivates me. Procter & Gamble recently announced that The Guiding Light, its oldest sponsored TV soap opera was finally going off air after 72 years on radio, then television. The company then announced that it was launching its own private digital media platform. Initially, Pampers will be sponsoring a series of webisodes called A parent is born about young couples expecting a child. Other projects include digital casting for a variety of product categories in partnership with the likes of NBC Digital Networks.

On October 7th, Procter & Gamble with the aid of its Canadian ‘mommy blogger’ community, launched Rouge Magazine a new magazine and online edition, into the US. It’s targeted to 11M households and “beauty-involved females.” The underlying objective is to build a massive database using the information of those that will be engaging with the brand across multiple owned media platforms. Rouge is beyond freemium…it’s chock-a-block with coupons for P&G beauty products.

One of the reasons owned platforms caught my attention was that it reminded me of traditional sponsored advertising—coming back full circle to digital media but delivered directly by the brand rather than a TV network. Conceptually, the first example that came to mind was when television programming was ‘brought to you’ by a ‘proud sponsor’ like Kraft, Molson, or General Motors. Fast forward…sponsored advertising of old has come full circle into digital.

Ford, out of the automotive industry, is also going deep. The Financial Times has suggested that ‘aggressive’ sub-branding, by companies like Ford, are creating owned platforms and individualizing online sites. For example, Facebook is being used effectively for the Fusion and Fiesta brand hubs where loyalists and potential customers participate in the online community.

The redesigned Fiesta specifically, the worldwide launch of www.fiestamovement.com, makes use of trust agents on-the-ground and online across various digital media to build a high degree of awareness and brand building. It’s getting business results too: over 50,000 inquiries for the Fiesta have been generated in advance of the US market launch.

It’s remarkable how the process of branded product advertising is coming around to look like the early days of television—only the media mix is broader and is being up-cycled. Companies with owned platforms are delivering their brand’s message and driving consumer engagement from any of all of the three screens—sponsored television, Internet, and mobile.

So here is the question: Are companies emerging as ‘social OEMs’ who, through the deployment of owned platforms, are bringing back control of their brands to create equilibrium of push and pull marketing? If so, the science will be in bringing all of the right media and branding elements together; the art will be in reaching brand communities tailor-made for these emerging owned platforms.

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